Ahem, that being said… looking at my library… I’ve not that many choices
Cammy WhiteStreet Fighter First VG crush btw Fio & EriMetal Slug Series FrannFFXII TracerOverwatch YoRHa No. 2 Type BNier Automata Helena DouglasDOA Series
Those are the first off the top of my head, although I prefer cuteness over sexiness.
I think this is the sexiest character in video game history, i mean look at that sexy body structure, that sexy jawline, that serious face and the outfit, he is also brave. Trust me, a lot of people fall in love with this one.
This title was misleading… although I have some issue with his math… because (as he correctly states later) A line is bounded by an infinite number of points, and a point (having no linear definition other than location) is more a descriptive term than a ‘thing’… plus using cubes as a reference point for a reality assumes that other geographically valid shapes (hexagons ect) are not the boundaries of realties…. Given the fibonaci sequence and the rule of 3 found in nature, I would postulate that triangles (or pyramids) are the most likely ‘boundary’ for 4th dimensional objects (and further dimensions would have increasing numbers of sides on the bounding shapes).
Ahhh…. Chaos.
Which of course brings me to the sexiest video game character ever.
I know it’s for shit and giggles, but I’ve always been fascinated by physics.
In theory, all of our 3D world, any shape, can be part of a higher dimension. In a four dimensional world, shadows would be three dimensional, so we could be a shadow of that reality. The cube is used as an example, because it’s simple to undersand in four dimensions. As a fourth dimensional being, you’d see at once all 32 sides of said object: a tesseract.
Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London.
Written pseudonymously by “A Square”, the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella’s more enduring contribution is its examination of dimensions.
Synopsis:
(…)it describes the journeys of A. Square [sic – ed.], a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status.